Omar Sosa and Paolo Fresu: NPR Music Tiny Desk Concert
You don't really listen to an Omar Sosa concert so much as experience
it. The Cuban-born pianist's overall demeanor exudes a sense of calm and
deep reflection, while a spiritual connection to music and his
ancestors comes through in his piano playing.
You can hear Sosa draw on more than 100 years of Cuban piano in the
recognizable rhythms of his country's music. But in Sosa's hands, it's
not all fiery and bombastic; he's most effective when he uses Afro-Cuban
tradition as a guide to his distinct, subtle and nuanced approach.
In Paolo Fresu, Sosa has found a sympathetic musical partner. Fresu's
work on trumpet and flugelhorn provides a perfect foil for Sosa's
introspective intersection of jazz, Afro-Cuban sounds and a
chamber-music mentality.
Sosa and Fresu's quietly energetic performance behind Bob Boilen's desk
enveloped everyone in attendance like a soft mist. Fresu's use of
digital delay never clashed with Sosa' acoustic piano, instead adding
another color to the palette; at times, Fresu uses it to add a layer of
rhythm with either the ring on his finger or a blowing technique into
his horn.
Omar Sosa and Paolo Fresu were as much fun to watch as they were to
hear. Watch this Tiny Desk Concert and see for yourself. --FELIX
CONTRERAS
it. The Cuban-born pianist's overall demeanor exudes a sense of calm and
deep reflection, while a spiritual connection to music and his
ancestors comes through in his piano playing.
You can hear Sosa draw on more than 100 years of Cuban piano in the
recognizable rhythms of his country's music. But in Sosa's hands, it's
not all fiery and bombastic; he's most effective when he uses Afro-Cuban
tradition as a guide to his distinct, subtle and nuanced approach.
In Paolo Fresu, Sosa has found a sympathetic musical partner. Fresu's
work on trumpet and flugelhorn provides a perfect foil for Sosa's
introspective intersection of jazz, Afro-Cuban sounds and a
chamber-music mentality.
Sosa and Fresu's quietly energetic performance behind Bob Boilen's desk
enveloped everyone in attendance like a soft mist. Fresu's use of
digital delay never clashed with Sosa' acoustic piano, instead adding
another color to the palette; at times, Fresu uses it to add a layer of
rhythm with either the ring on his finger or a blowing technique into
his horn.
Omar Sosa and Paolo Fresu were as much fun to watch as they were to
hear. Watch this Tiny Desk Concert and see for yourself. --FELIX
CONTRERAS
Set List
"Alma" "S'Inguldu" Credits Producer: Felix Contreras; Editor: Denise
DeBelius; Audio Engineer: Kevin Wait; Videographers: Denise DeBelius,
Gabriella Garcia-Pardo; photo by Elizabeth Chen/NPR
